Environment Artist

The stoic mountains framing the background of a game’s scene, the abandoned building you explore in search of supplies, even the ground your avatar walks on — all the modular pieces that make up the world of a film or game are the responsibility of an environment artist.

They are also commonly responsible for texturing and shading the environment assets they create, and when completed, are laying them out in the scene. Before building anything, environment artists must research and collate real-world references to map out the different aspects of a game’s geography.

CG Spectrum mentor of Virtual Production, Carl Shedd, defines world building and its importance in video games, 

“World building can be as simple as subtle environmental storytelling, for example, a messy desk in an otherwise sterile bedroom, children's artwork on a refrigerator in a kitchen with a work coat draped over a dining chair, and a briefcase on the table. World building can be as significant as defining global traits for your fictional universe, elements of huge consequence!”

Role & responsibilities of an environment artist in the film and games:

• Producing high-quality organic (e.g., shrubs) and hard surface (e.g., buildings) models and texture maps in line with brief and reference material, including interpreting abstract ideas
• Presenting work in a turntable style environment with acceptable lighting for progress reviews and approval (including scale reference)
• Ensuring consistency of UV mapping and polygonal subdivisions 
• Working closely with Design and Art Directors to ensure their geo (and textures maps) are working as they should be and addressing mesh fixes as required
• Optimizing the topology of assets in their scene so the environment runs at a manageable frame rate
• Mapping out scenery elements and props that help drive the story of the game

An environment artist must have a keen eye for landscape, cityscapes, town planning, and geography as these skills will be used to create virtual worlds within a film or game.

Game artists must also have the technical skills to understand whether a game engine can support low-resolution images in distant backgrounds and the limits of high-resolution images in the foreground. 

While some junior positions are available in the industry, most environment artists have at least several years of 3D modeling, sculpture, and design. A good way to break into this field is to study 3D modeling and build up a portfolio of original 3D environment assets and set dressing pieces.

Film and game studios may look for the following skills in a 3D environment artist:

• Familiarity with the VFX pipeline or the game development pipeline (depending on chosen field)
• Strong knowledge of geography, architecture, and the laws of physics
• Experience processing and working with scans (Megascans, LiDAR scans, etc.)
• High-level drawing skills
• Able to interpret and follow reference material to create clean, detailed, and accurate 3D environments and sets
• Real-world understanding of proportion, depth, scale, and physical space
• Highly efficient UV layout experience using a UDIM workflow
• Ability to imagine expansive worlds that characters and objects can interact and move around in (video games specific)